Sunday, November 22, 2015

The Ghost-Child's Chimera





The Ghost-Child's Chimera

I used to think I was someone, but 
I'm no one.
I do not exist.
I never was.

I am not the granddaughter of Yurik, 
not the progeny of some tenacious teen smuggled out of Lviv,
a.k.a. Lwów,
a.k.a. Lvov.

Sent to a Brave New World:

Before his home morphed into a moat in the
tug-of-war
between Schörner's Wehrmacht and the Reds.

Before everything was devoured by the
gut-of-war
in pre-perestroika peristalsis.

Before Plan Zachód headed south, 
and he headed west.

Alas, poor Yurik, I knew you well:

In my specter's reverie, in a phantasmic delusion 
Where you made it to welcoming New York shores,
Where you received salutations instead of renunciations.

Where you felt your cheeks burn in an American kindergarten class,
Where you pretended you weren't an adolescent swapping out Slavic for Greenwich Willage slang,
Where you eventually rose up the ranks to your rightful post.

Where you enlisted in the US Army and entered stage left into the China-India-Burma Theater,
Where you smoked horseshit and dreamt of your old home, but also of your new one.

Where, when you anchored back in the Hudson's maw, you danced the Hopak and closed down McSorley's before stumbling down 7th into morning Mass at St. George's.

Where you fell in love and kept on living, though not in Lvov,
a.k.a. Lwów,
a.k.a. Lviv.

Where you became a woodworker and worked as you would.

Where you shepherded five children to the Unisphere of the World's Fair, on the other side of the world from where you were born.

Where you smoked not horseshit, but tobacco, in the bent billiards and Dublins that your smart-ass American-born kids occasionally crammed with weed.

Where you still sipped wodka and wisited your parents in the Willage,

Where you paid your taxes,

Where you gave your grandkids Dorothy Hamill haircuts in your cellar woodshop and caravanned some of them to Kerhonkson to learn what it was like to be from 
Lviv.

Where you died on an island far from your origin story, proud to be an American, eating forbidden kielbasa to the very end.

But there were no salutations, only renunciations.
You became a bolusthe Euro-intestines got their fill
Another St. Louis sent back to the motherland, or whoever would take them.

Those were all just my dreams—a ghost-child's chimera.

I used to think that I was someone, but
I'm no one.
I do not exist.
I never was.















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Saturday, November 14, 2015

A Twinkle in Time



On July 14, 2001, the Eiffel Tower shuttered its millennium illuminations, a show of visual magnificence that triggered 20,000 bulbs each evening in a dazzling display. From sundown until an hour or two after midnight, depending on the season, residents and visitors would lift their gaze to one of the world's most iconic landmarks, swathed in a twinkling hourly homage to the City of Light. The filaments would heat up and wink; enraptured eyes would refuse to blink for 10 minutes of ocular splendor.

This tribute to the turn of the century wasn't designed to last forever. The tower's electrical system was decrepit and unequipped to handle a long-term energy overload, and so city officials turned off the twinkles barely 18 months after they had begun. The date for the shutdown was purposeful and symbolic: July 14, Bastille Day.

But it turns out you can't keep a good twinkle down, and the flicker-fest was resurrected in June 2003. It's since been tamped down: In efforts to go green, Paris replaced incandescent bulbs on more than 100 of its monuments with energy-efficient metal iodide ones, and it cut down each hourly tower light-show to five minutes instead of 10.

I was in Paris that July week in 2001, two months before the New York I'd fly back to was plunged into darkness by horrors never foreseen. I left Paris on July 13, the day before La Fete Nationale, so my last memory of the Eiffel Tower was the imprint of the night before, one of erratically flashing radiance witnessed while noshing on a sublime Nutella crepe wheedled out of a charmingly grouchy food-truck vendor. 

The next day, as urban event-planners gussied up the Champs-Elysées, I left Paris behind and boarded a train to Amsterdam, a city awash in its own waves of light: the gallery fixtures illuminating the Van Gogh Museum's wares, the symbolism of light and reflection holding calm court in the Prinsengracht's Anne Frank House, even the neon glow emanating after dusk from behind the Rossebuurt's eagerly ogled panes.

That trip seems so long ago, but 9/11 does not, because light and darkness often don't fall on the same continuum in our memory bank. And while much has changed since in what I can claim I've learned about the world, there are only three things I can say for sure at this particular moment: that I love my children unconditionally; that the fog of war of this latest devastation will take some time to dissipate (so prepare for a flood of false information, finger-pointing, and the inevitable references to concealed carry, college campuses, and even Rob Lowe); and that the lights of Paris will continue to shine through that fog.

The tower is shut down until further notice and will remain dark tonight in mourning for the victims of yesterday's attacks. The pervading feeling is one reminiscent of the days immediately after 9/11, when we stared out at the destruction, coated in suffocating layers of ash, in the streets of lower Manhattan. We were unable to fathom not only how we could recover from our psychic wounds, from losing so many loved ones, but also how we could ever clean up our city left in shambles. But we did, and the Freedom Tower was one of the world's red, white, and blue wayposts this week as we scanned the horizon for some hope and humanity. 

The Eiffel Tower will sparkle in due time, taking its rightful place next to the Freedom Tower, the Sydney Opera House, Rio's Christ the Redeemer, and even the brilliance of this week's Diwali. They'll continue to shed light on evil that may shape-shift and adopt new acronyms, but always burrow in blacknessbe it in Paris, Beirut, Baghdad, Ukraine, Kenya, Syria, or any of the other places around the globe that don't see the flash of the media's camera when the militants come to town. These are the beacons we'll need to illuminate the dark days that still lie before us.

Tweets and treats at @jenngidman.

Wednesday, November 4, 2015

Running Through My CD Collection: Day 11



Today's album: Back in Black (AC/DC) 

Length: 42 minutes

Activity: Treadmill run/incline walk

What listening to this album made me think of: Being in a seedy Buffalo bar (probably Sutter's), because when I'm trying to peel the soles of my shoes off a sticky linoleum floor while drinking an Alabama slammer is the only time I really enjoy listening to AC/DC.

Review: I don't really like AC/DC. As previously stated. Much like I don't really like the Rolling Stones, Aerosmith, or Bruce Springsteen. Don't try to convince me with arguments. The heart wants what the heart wants, and it's not AC/DC. "Shook Me All Night Long" is a great song, though.

How I felt after: My feet and ankles hurt.

Random fact I learned about this artist/album: Mutt Lange's real name is Robert John. I know this because Robert John "Mutt" Lange is splashed right across the front of the CD.

Why I'm doing this: See Day 1


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Monday, November 2, 2015

Running Through My CD Collection: Day 10



Today's album: Quest of the Dream Warrior (David Arkenstone) 

Length: 53 minutes

Activity: Treadmill run/incline walk

What listening to this album made me think of: Being a strong, lean New-Age replicant (because it had moments where it reminded me of the Blade Runner soundtrack). Finding my inner courage—which I did when the line "Feel your beating heart; touch the empty sky" played. I tried to do just that and nearly fell off the treadmill because I lost my center, and almost my balance. It's funny I felt this pennywhistle-inspired fearlessness, because I told my therapist tonight how much of my feeling lately has been stoically muted into a comfortable yet somewhat dreadful, sad limbo. I guess music still has the effect to dredge up something, which is nice to know.

Review: I didn't think this randomly selected album was going to work for a run (seems better suited for stretching), but it was surprisingly and thankfully energizing.

How I felt after: Good. Very good. So good, in fact, that it tricked my brain into thinking I was satisfied with the spicy red-pepper soup with yogurt sauce I had for dinner. Dumb brain.

Random fact I learned about this artist/album: That this is the second album in a trilogy, based on a fantasy story David Arkenstone concocted (no surprise there, even though I didn't know this). Also that there's a fold-out map of the fantasy world this album is set in that should've come with the CD. I'll have to look in my CD book where I keep all my album liners to see if this is indeed true. I don't feel like getting up now, though. I'll circle back with news later. Maybe.

Why I'm doing this: See Day 1

Note: This is, for now, labeled "Day xxxxx" because I actually have a bunch of blog entries to fill in for the last month or so that I've been too lazy to do. 


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