Monday, December 28, 2015

Herod's HQ (For Tamir)



Welcome to Cleveland, America's Bethlehem,
where gold has turned to 
incense.

Not Camus nor Coventry Carol,
Neither Reni nor a 
Rubens

Can corral these tears from Buckeyes
Crashing onto blood-soaked
pavements.

No sleep for Samaria
Amid moans from Rachel's Ramah
You called it, Jeremiah.

What happened to our wise men?
When did they flee the massacre?
Why did we let them go?

How can we say the Epiphany's on its way
When Matthew's deemed a liar—
Does even Jesus know?

If he does, he surely wept

as truth was swept
down Hell's pitch hole.

Tweets and treats at @jenngidman.

Wednesday, December 2, 2015

The Medical Examiner of the Future

Set adrift in lacunae,
Drowned in loopholes and clauses,
Anesthesia not needed:
No one flinches or pauses.

He trudges through turmoil,
Through the gore and the gauzes,
Steeped in shrieks of salvation,
Genuflections and crosses.

Bodies bored through with bullets,
He's stopped counting the losses,
Still, he trembles while scrawling
His rote: "natural causes."      

Tweets and treats at @jenngidman.

Sunday, November 22, 2015

The Ghost-Child's Chimera





The Ghost-Child's Chimera

I used to think I was someone, but 
I'm no one.
I do not exist.
I never was.

I am not the granddaughter of Yurik, 
not the progeny of some tenacious teen smuggled out of Lviv,
a.k.a. Lwów,
a.k.a. Lvov.

Sent to a Brave New World:

Before his home morphed into a moat in the
tug-of-war
between Schörner's Wehrmacht and the Reds.

Before everything was devoured by the
gut-of-war
in pre-perestroika peristalsis.

Before Plan Zachód headed south, 
and he headed west.

Alas, poor Yurik, I knew you well:

In my specter's reverie, in a phantasmic delusion 
Where you made it to welcoming New York shores,
Where you received salutations instead of renunciations.

Where you felt your cheeks burn in an American kindergarten class,
Where you pretended you weren't an adolescent swapping out Slavic for Greenwich Willage slang,
Where you eventually rose up the ranks to your rightful post.

Where you enlisted in the US Army and entered stage left into the China-India-Burma Theater,
Where you smoked horseshit and dreamt of your old home, but also of your new one.

Where, when you anchored back in the Hudson's maw, you danced the Hopak and closed down McSorley's before stumbling down 7th into morning Mass at St. George's.

Where you fell in love and kept on living, though not in Lvov,
a.k.a. Lwów,
a.k.a. Lviv.

Where you became a woodworker and worked as you would.

Where you shepherded five children to the Unisphere of the World's Fair, on the other side of the world from where you were born.

Where you smoked not horseshit, but tobacco, in the bent billiards and Dublins that your smart-ass American-born kids occasionally crammed with weed.

Where you still sipped wodka and wisited your parents in the Willage,

Where you paid your taxes,

Where you gave your grandkids Dorothy Hamill haircuts in your cellar woodshop and caravanned some of them to Kerhonkson to learn what it was like to be from 
Lviv.

Where you died on an island far from your origin story, proud to be an American, eating forbidden kielbasa to the very end.

But there were no salutations, only renunciations.
You became a bolusthe Euro-intestines got their fill
Another St. Louis sent back to the motherland, or whoever would take them.

Those were all just my dreams—a ghost-child's chimera.

I used to think that I was someone, but
I'm no one.
I do not exist.
I never was.















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Saturday, November 14, 2015

A Twinkle in Time



On July 14, 2001, the Eiffel Tower shuttered its millennium illuminations, a show of visual magnificence that triggered 20,000 bulbs each evening in a dazzling display. From sundown until an hour or two after midnight, depending on the season, residents and visitors would lift their gaze to one of the world's most iconic landmarks, swathed in a twinkling hourly homage to the City of Light. The filaments would heat up and wink; enraptured eyes would refuse to blink for 10 minutes of ocular splendor.

This tribute to the turn of the century wasn't designed to last forever. The tower's electrical system was decrepit and unequipped to handle a long-term energy overload, and so city officials turned off the twinkles barely 18 months after they had begun. The date for the shutdown was purposeful and symbolic: July 14, Bastille Day.

But it turns out you can't keep a good twinkle down, and the flicker-fest was resurrected in June 2003. It's since been tamped down: In efforts to go green, Paris replaced incandescent bulbs on more than 100 of its monuments with energy-efficient metal iodide ones, and it cut down each hourly tower light-show to five minutes instead of 10.

I was in Paris that July week in 2001, two months before the New York I'd fly back to was plunged into darkness by horrors never foreseen. I left Paris on July 13, the day before La Fete Nationale, so my last memory of the Eiffel Tower was the imprint of the night before, one of erratically flashing radiance witnessed while noshing on a sublime Nutella crepe wheedled out of a charmingly grouchy food-truck vendor. 

The next day, as urban event-planners gussied up the Champs-Elysées, I left Paris behind and boarded a train to Amsterdam, a city awash in its own waves of light: the gallery fixtures illuminating the Van Gogh Museum's wares, the symbolism of light and reflection holding calm court in the Prinsengracht's Anne Frank House, even the neon glow emanating after dusk from behind the Rossebuurt's eagerly ogled panes.

That trip seems so long ago, but 9/11 does not, because light and darkness often don't fall on the same continuum in our memory bank. And while much has changed since in what I can claim I've learned about the world, there are only three things I can say for sure at this particular moment: that I love my children unconditionally; that the fog of war of this latest devastation will take some time to dissipate (so prepare for a flood of false information, finger-pointing, and the inevitable references to concealed carry, college campuses, and even Rob Lowe); and that the lights of Paris will continue to shine through that fog.

The tower is shut down until further notice and will remain dark tonight in mourning for the victims of yesterday's attacks. The pervading feeling is one reminiscent of the days immediately after 9/11, when we stared out at the destruction, coated in suffocating layers of ash, in the streets of lower Manhattan. We were unable to fathom not only how we could recover from our psychic wounds, from losing so many loved ones, but also how we could ever clean up our city left in shambles. But we did, and the Freedom Tower was one of the world's red, white, and blue wayposts this week as we scanned the horizon for some hope and humanity. 

The Eiffel Tower will sparkle in due time, taking its rightful place next to the Freedom Tower, the Sydney Opera House, Rio's Christ the Redeemer, and even the brilliance of this week's Diwali. They'll continue to shed light on evil that may shape-shift and adopt new acronyms, but always burrow in blacknessbe it in Paris, Beirut, Baghdad, Ukraine, Kenya, Syria, or any of the other places around the globe that don't see the flash of the media's camera when the militants come to town. These are the beacons we'll need to illuminate the dark days that still lie before us.

Tweets and treats at @jenngidman.

Wednesday, November 4, 2015

Running Through My CD Collection: Day 11



Today's album: Back in Black (AC/DC) 

Length: 42 minutes

Activity: Treadmill run/incline walk

What listening to this album made me think of: Being in a seedy Buffalo bar (probably Sutter's), because when I'm trying to peel the soles of my shoes off a sticky linoleum floor while drinking an Alabama slammer is the only time I really enjoy listening to AC/DC.

Review: I don't really like AC/DC. As previously stated. Much like I don't really like the Rolling Stones, Aerosmith, or Bruce Springsteen. Don't try to convince me with arguments. The heart wants what the heart wants, and it's not AC/DC. "Shook Me All Night Long" is a great song, though.

How I felt after: My feet and ankles hurt.

Random fact I learned about this artist/album: Mutt Lange's real name is Robert John. I know this because Robert John "Mutt" Lange is splashed right across the front of the CD.

Why I'm doing this: See Day 1


Tweets and treats at @jenngidman.

Monday, November 2, 2015

Running Through My CD Collection: Day 10



Today's album: Quest of the Dream Warrior (David Arkenstone) 

Length: 53 minutes

Activity: Treadmill run/incline walk

What listening to this album made me think of: Being a strong, lean New-Age replicant (because it had moments where it reminded me of the Blade Runner soundtrack). Finding my inner courage—which I did when the line "Feel your beating heart; touch the empty sky" played. I tried to do just that and nearly fell off the treadmill because I lost my center, and almost my balance. It's funny I felt this pennywhistle-inspired fearlessness, because I told my therapist tonight how much of my feeling lately has been stoically muted into a comfortable yet somewhat dreadful, sad limbo. I guess music still has the effect to dredge up something, which is nice to know.

Review: I didn't think this randomly selected album was going to work for a run (seems better suited for stretching), but it was surprisingly and thankfully energizing.

How I felt after: Good. Very good. So good, in fact, that it tricked my brain into thinking I was satisfied with the spicy red-pepper soup with yogurt sauce I had for dinner. Dumb brain.

Random fact I learned about this artist/album: That this is the second album in a trilogy, based on a fantasy story David Arkenstone concocted (no surprise there, even though I didn't know this). Also that there's a fold-out map of the fantasy world this album is set in that should've come with the CD. I'll have to look in my CD book where I keep all my album liners to see if this is indeed true. I don't feel like getting up now, though. I'll circle back with news later. Maybe.

Why I'm doing this: See Day 1

Note: This is, for now, labeled "Day xxxxx" because I actually have a bunch of blog entries to fill in for the last month or so that I've been too lazy to do. 


Tweets and treats at @jenngidman.

Monday, October 12, 2015

Running Through My CD Collection: Day 9



Today's album: The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do (Fiona Apple) 

Length: 43 minutes

Activity: Treadmill run/walk

What listening to this album made me think of: Autumn evenings. My awesome plaid pants that I'd like to wear again soon around town. Walking around NYC in the chilly night air until that perfect cozy gastropub pops up—there had better be mussels fra diavolo and crusty warm bread to dip. A long, booze-soaked night listening to live music. 

Review: I couldn't find my headphones, so it was hard to hear anything other than growls and raw anger and wailing over the whir of the treadmill. That worked well enough, though. I'll listen to this for real tomorrow while I'm working.

How I felt after: An angry and cynical yet determined robot.

Random fact I learned about this artist/album: Fiona Apple is referred to as "Feedy" on this album. That kind of creeps me out.

Why I'm doing this: See Day 1. Also jump-starting this again because I'm once more hovering on the edge of that slippery slope, as well as flirting with a return of my gestational diabetes (except I'm not gestating this time). My doctor wants to run bloodwork again in six months, and my birthday is coincidentally six months from today, so: to possible new beginnings, better blood, and traction.


Tweets and treats at @jenngidman.

Thursday, September 10, 2015

Running Through My CD Collection: Day 8



Today's album: Last Splash (The Breeders) 

Length: 41 minutes

Activity: Stretching

What listening to this album made me think of: My friend Matt "Buck X" Lerner, because he first played it for me in college when we were at a stir-fry dinner together. He's still one of my favorite people.

The end of college.

A guy I pined for 20 years ago, previously mentioned, because I did a cover of "Do You Love Me Now?" and he liked it. I don't know if he just said that to humor me, but I didn't fucking care.

Review: What a rawkkkkkkin' album. I didn't mean to type so many k's, but the letters in the second row of my keyboard appear to be giving me trouble, so they just all flooded out at once as I pounded on the "k." But rawkkkkkkin' fits, so kkkkkkkeeping it. 

My favorite song is "No Aloha." The Hawaiian vibe, her voice, everything. Also, I'm the best at purring, "And now we die. Oooooooh, all the treats." I say it/sing it whenever I can slip it into casual conversation.

How I felt after: Like playing the guitar. Like a bad-ass. Like no one can ever fuck with me (says the person who is stretching).

Random fact I learned about this artist/album: Didn't know till this very moment that Spike Jonze and Kim Gordon directed the video for "Cannonball." Cool.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Wednesday, September 9, 2015

Running Through My CD Collection: Day 7



Today's album: Booth and the Bad Angel (Tim Booth and Angelo Badalamenti) 

Length: 48 minutes

Activity: Stretching

What listening to this album made me think of: I had to take some time off to start this thing, even though I tried to start it in August. I went down for an extended visit with my parents in Florida, and between eight-hour workdays followed by 10-hour theme park/kid shifts, there was no free time. Zero. Zip. Which was fine for bonding, but not for things like this. Whatever this is.

So now I'm back. This album reminds me of the second time (out of three) I returned to the same trade-publishing house in the industrial park that I fled shortly out of college to become an "entrepreneur" (more on that with a few future albums in my collection). 

The powers-that-be stuck me this time around in an office in No Man's Land (probably to spite me for leaving the first time), and I was free to fill this dead zone all day long with my glorious music. The only other person was who there with any regularity was a woman named Esther who managed a magazine for the industrial paint industry. She was nice, though I did some freelance work for her once proofreading a chart all about specialty veneers, which made me want to blow my brains out. 

Anyway, I listened to this album over and over that year, especially when I was bent over that chart.

Review: This is one of my favorite albums (it's the guy from James and the guy who did the instrumental Twin Peaks music). It's just lovely. I don't have much else to say.

How I felt after: The way I usually feel after listening to this album—a little haunted, a little like I'm falling out of the sky, a lot like getting into my car and speeding down to the ocean in the middle of the night and drinking myself into a stupor.

Random fact I learned about this artist/album: Tim Booth played Judas in a Passion play.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Friday, August 14, 2015

Running Through My CD Collection: Day 6



Today's album: Ayeshteni (Natacha Atlas) 

Length: 59 minutes

Activity: Stretching

What listening to this album made me think of: The girl I worked with who gave it to me after she heard me listening to the English Patient soundtrack and the Peter Gabriel Passion album and figured I would enjoy this. I politely accepted it and meant to listen to it at some point, but I think it just unintentionally ended up in the back of the CD book.

It also reminds me of the Spike Lee movie Inside Man with Denzel Washington, which had a very cool Bollywood-style song during the opening credits called "Chaiya Chaiya," except that was much better than this.

Review: A cover of "I Put a Spell on You" on here made me want to die. You can't beat Screamin' Jay on this one. Actually, the whole thing made me want to die. I'm tired and want to go to sleep and don't want to listen to anymore. Which bums me out, because I thought I'd really dig this. I do think her name is pretty rad, though. And I sort of liked "Mish Fadilak."

How I felt after: Cultured? Nah.

Random fact I learned about this artist/album: Natacha was born in Belgium but is of Egyptian ancestry and likes to sing most of her songs in Arabic. She also collaborated with Belinda Carlisle on an album.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Thursday, August 13, 2015

Running Through My CD Collection: Day 5




Today's album: Tidal (Fiona Apple) 

Length: 52 minutes

Activity: Stretching

What listening to this album made me think of: Fuck everything.

Review: Fuck everything.

How I felt after: Fuck everything.

Random facts I learned about this artist/album: Kanye West said "Sleep to Dream" contained one of the best opening lines of a song he's ever heard: "I have never been so insulted in all my life." The entire song is the shit, actually. Macy Gray also supposedly tried to cover this song and couldn't because she said it was too difficult.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Running Through My CD Collection: Day 4




Today's album: Arc Angels (Arc Angels) 

Length: 1 hour, 1 minute

Activity: Stretching

What listening to this album made me think of: College. I somehow acquired this album as one of the comps we'd receive for possible review for the school magazine. I don't know if I ever listened to it before tonight. I don't think so.

Review: Take the worst song from a Black Crowes album, the worst song from a Pearl Jam album, the worst song from a Live album, and the worst song performed live by your local bar band—that's this. Or maybe I was cranky because I remembered this self-imposed exercise obligation after I came back at 11:30 p.m. last night from happy hour with old work friends from 20 years ago.

How I felt after: Cranky. Confused. Melancholy. Hung out with someone I fell in love with years ago but could never pursue because he was married, and everything came flooding back and put me in "a mood." We had an excellent time, but then the evening ended. All I could do was stretch and lie staring at the ceiling. Not even bad bar-band music could snap me out of it. Oh well. I suppose I'm healthier and more limber for my troubles.

Random fact I learned about this artist/album: This album/band is supposed to be Stevie Ray Vaughn Lite. Or something like that.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Friday, August 7, 2015

Running Through My CD Collection: Day 3




Today's album: Deseo (Jon Anderson) 

Length: 44 minutes 

Activity: Stretching

What listening to this album made me think of: I'm a YES-head, and more specifically a Jon Anderson-head. I never really know what the heck he's talking about, because he's way out there, but I always feel uplifted and alive after listening to either YES or his solo stuff. I know how corny I sound, but I don't care, because I just listened to this album and it all makes sense in the moment.

Deseo is one of his ventures into world music, this one influenced by Latin and South American sounds, and it always transports me far away from wherever I am (in tonight's case, my living room floor). 

Review: It's got a very similar sound to 1989's Anderson Bruford Wakeman Howe album, which affected me in similar but different ways. It's alternately soothing and seductive, and I get sucked right in.

How I felt after: Relaxed. Hopeful. In love with the idea of being in love. Able to breath better. Beset with an urge to be honest, and free in that honesty. Hopeful.

Random fact I learned about this artist/album: The same year (1994) Jon Anderson released this album and Change We Must (which I also own), he sang on a kids' video game called Tuneland, designed for children ages 3 to 6 and starring Howie Mandel, with other music by members of Pink Floyd and the Doobie Brothers. Huh.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Thursday, August 6, 2015

Running Through My CD Collection: Day 2




Today's album: Wonderful (Adam Ant) 

Length: 47 minutes 

Activity: Treadmill 

What listening to this album made me think of: I have a feeling I acquired this album as a "Selection of the Month" through my Columbia House/BMG club memberships, because I can't recall ever listening to it. Or I might have grabbed it because of "Wonderful," because there was time when I had discretionary income that allowed me to throw my money away on one song like that.

Review: This album confused me. Every song was weird and loud enough to catch my attention, but so is Donald Trump (sorry, watching the GOP debate). Some songs evoked James, some a bar band, some U2, some the Beatles—none of which are inherently bad, but mashed together are...confusing. Faced with such lines as "Just standing next to you is like making love," I had to make the call, in between swigs from my Poland Spring bottle and adjusting the treadmill's incline, whether lines like that were brilliant or stupid.

I did like this song, though. I hated the last song. Run with that.

How I felt after: Confused. Also a little uneasy, because when Adam Ant's "Goody Two Shoes" came out in 1982, kids in my class started calling me Goody-Goody Gidman, and not in the cool, Nathaniel Hawthorne witch-way. I was a bookworm. I was an innocent. I was a teacher's pet. I was fucked. I regressed to age 11 during this run, and it was slightly uncomfortable.

In the physical sense, my right foot has either become Diabetes Foot or Pussy Foot or something else not that's not a Good Foot, but it hurt like hell through the entire run. 

Random fact I learned about this artist/album: According to the Internets, Adam Ant has some interesting-sounding tattoos, including one that shows Lord Nelson's last prayer before the Battle of Trafalgar. Nice.

Why I'm doing this: See Day 1.


Tweets and treats at @jenngidman.

Wednesday, August 5, 2015

Running Through My CD Collection: Day 1




Between the Cassette Tape '80s and the MP3 Aughts, I amassed scads of CDs that now languish in a cricket-infested basement. Not sure how many I have, but I guess I'll know these things by the end of this regimen.

By "this regimen," I mean the most recent exercise gimmick I've introduced to keep boredom at bay: Run/jog/walk/saunter/stretch/body-contort three to five days a week, each day to a different CD in this CD collection*, until I work my way through the entire stockpile. 

I don't have very sophisticated musical tastes, but each CD did what it was supposed to do when I needed it to, and that counts for something.

Today's album: The Sign (Ace of Base) 

Length: 46 minutes 

Activity: Treadmill 

What listening to this album made me think of: The Sign came out right after college graduation, when I had successfully nabbed my first** low-paying publishing job*** along Long Island's Route 110 corridor. Which meant I spent a lot of time blasting this album as I sped through the industrial park to happy hours along said sad corridor. 

Nothing back then made me happier than a) post-college happy hours with other young people trying to cope with real-world non-happy hours, and b) sweet Swede reggae-pop (do not call it Eurotrash) blasting from the CD player the Saturn dealership threw in for free in my 1994 S-Series sedan, the first car I bought without adult supervision. It looked like this, without the pinstripe:



Listening to this made me think of that. And of the hours spent in the bedroom I still leased in my parents' house, armed with a cassette player and a Casio keyboard that allowed me to re-record a goodly cross-section of the Ace of Base discography. I mastered my mimicry of Linn Berggren's guttural sputterings—it's no small feat to growl "baby" like she does at 1:12 in "Wheel of Fortune" without blowing out your vocal cordsand didn't totally butcher Buddha and Joker's trancelike analog synths, the efforts of which I'd demo here if I were motivated to dig through my garage crates for that MIA shoebox of abandoned cassettes.

Hearing this CD again also reminded me of another Ace of Base song, "Whenever You're Near Me," which I first heard as its European counterpart, "Life Is a Flower," in June 1998 while gazing upon goats from my poolside perch on a Mykonos mountainside overlooking the Aegean:

 My Cycladic Canaan, a.k.a. the San Marco Hotel

It was a hedonistic stay in remote digs, and "Life Is a Flower" transmitted from the hotel PA system and baked into my brain forever.

Review: No complaints.

How I felt after: I forgot I can't run the AC in my basement while running on the treadmill (both appliances simultaneously sucking up PSEG juice blows out the power in my house), so I sweated out any and all emotions, even the negative ones. I guess that means I felt pretty good.

It also made me laugh to think back on those Grecian goats, gnawing lazily on island dwarf scrub as they ogled with analytical, aloof eyes the bikini-ed ladies gnawing even more lazily on feta-topped potatoes, occasionally lifting their slender, tanned digits out of the chlorinated basin and into the arid mountain air to signal for some hooch. 

Random fact I learned about this artist/album: Buddha (aka Ulf Gunnar Ekberg) was apparently mixed up in some neo-Nazi shit at some point.

* Full albums only; mix CDs I made don't count, though I'm sure I'll succumb to the temptation of nostalgia now and again.

** Yes, there were more.

*** What sort of publications of note does one find along the Route 110 corridor? Circa 1993-94, the B2B scriptures known as Mass Transit, Studio Photography, and Food and Beverage Marketing, among others.


Tweets and treats at @jenngidman.

Wednesday, May 6, 2015

The "I Was Bored Between Errands So I Created a Clone of Reese Witherspoon's New Lifestyle Website" Edition


Kind of mailed it in here, but...your move, Reese

(Twitter won't let me post this link, so PLEASE CLICK HERE FOR A WORKAROUND.)

Tweets and treats at @jenngidman.